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Soulful Roots: How the Soul Flower Music Festival Keeps Houston’s Spirit in Bloom

  • Writer: Nia Delmast
    Nia Delmast
  • May 21
  • 3 min read

Updated: May 22

Soul Flower Music Festival took place May 3, 2025 at Discovery Green


Walking into the Soul Flower Music Festival, the first thing I noticed was the absence of the overwhelming chaos I’ve come to associate with large music events. Instead, it felt like a giant picnic—blankets and lawn chairs spread across Discovery Green, with families, couples, and groups of friends basking in the sunshine. Children darted across the grass while DJ Jack Frost played smooth R&B from the stage, setting the tone for a day that felt more like a celebration.


Now in its second year, Soul Flower is the brainchild of Green Light Events, the team behind other popular Houston gatherings like Zydeco Fest, Reggae in the Park, Trap and Paint, and Trap Wine Fest. Green Light Events centers Black joy, music, and culture through curated experiences across Houston, Dallas, New Orleans, and Atlanta. This year’s Houston edition, held on May 3 at Discovery Green, brought together national and local Soul, R&B, Neo-Soul, and Hip Hop artists, along with vendors selling jewelry, apparel, infused treats, and delicious food ranging from Creole to Mexican. With games, contests, a 360 photo booth, and of course, plenty of line dancing, the event delivered on every level.


Soul Flower is more than a music festival—it’s a growing tradition rooted in Black culture, creativity, and community, keeping Houston’s rich musical legacy alive and blooming.



Houston’s Legacy in Black Music


Houston has long been an innovation hub for Black music, shaped by the city’s deep Southern roots and migration from neighboring Louisiana and Mexico. It’s the birthplace of genres like Chopped and Screwed hip hop, and home to some of the biggest names in Black music history—from Beyoncé and Megan Thee Stallion to earlier icons like John “Lightnin’” Hopkins and the Geto Boys. Today, Soul Flower carries that legacy forward, providing a platform for local artists to honor the past while creating space for new expressions of soul.


The Music: Paying Tribute to the Soundtrack of Generations


The lineup leaned into familiarity—inviting the crowd to sing along and relive the joy of Black musical excellence across eras.


We Are the Show Band lived up to their name with a high-energy set spanning Anthony Hamilton’s "Best of Me", Tevin Campbell’s "Can We Talk?", and Marvin Gaye’s "Let’s Get It On". With tracks like "Cruisin'" and "Da Butt", they transformed the lawn into a dance floor.


Aja Dominique delivered a genre-bending performance with a mix of R&B staples and playful surprises, from "Return of the Mack" to "Sweetest Taboo" and even "1000 Miles" by Vanessa Carlton. Her style blended cool nostalgia with fresh energy, drawing the crowd in with every note.


Logan Houston rooted his set in 90s R&B, with "No Diggity "by Blackstreet sparking a wave of clapping and lip-syncing that connected everyone on the lawn.


These weren’t just covers—they were cultural touchpoints, reanimated by local voices and shared memories. The performances reminded everyone that soul lives on not just in new sounds, but in how we revisit and celebrate the old ones.


The Energy: In the Park, We All Fam


The vibe was communal and joyful—like being at the best family reunion you didn’t know you needed. Artists interacted with the crowd like old friends, playing the kind of jams you'd know by heart if you grew up in a Black household. The music kept everyone dancing, smiling, and singing all afternoon.


But beyond the music, the crowd itself was a vision of Black beauty and boldness. Festivalgoers came dressed to impress in vibrant colors, natural hair, locs, flower crowns, and showstopping outfits that gave “Woodstock meets the family cookout.”


And then there was the line dancing. Houston showed up with fans in hand and boots on the ground—not just for the viral 803 Fresh line dance, but also for tracks like "Country Girl" and "Cowgirl Trailride" by Tonio Armani and "Boogie Slide" by Ms. Jody. It was a perfect example of how Black culture reinvents and reclaims spaces—bringing our own flair to every tradition.


The most touching moment of the day came during Logan Houston’s set, when he paused mid-song to help a lost child reunite with his parents. It was a small act, but it captured the spirit of the day. In the words of DJ Jack Frost, “In the park, we all fam.”


Closing Reflections


My experience of Soul Flower was not just about the music—it was about joy, freedom, community, nostalgia, and the beauty of shared cultural space. It was unmistakably soulful, undeniably Houston, and deeply rooted in the creative energy of Black expression.


Most importantly, it was a living vision of Houston’s Black music culture—alive, well, and growing.


Story and Photos by Nia Delmast

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